Kwame Dawes in our class, and beyond

 


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Reading prompts for the class of October 25

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  1. Sometimes, by taking up the problems of the Other, it is possible to find oneself. (..). That is very much the image of the rhizome, prompting the knowledge that identity is no longer completely within the root but also in Relation. Because the thought of errantry is also the thought of what is relative, the thing relayed as well as the thing related. The thought of errantry is a poetics…The tale of errantry is the tale of Relation  (Edouard Glissan, Poetics of Relation , trans. Betsy Wing, 1997 [1990],   18) Both Sylvia Plath's "The Elm" and Adrienne Rich's "Shattered Head" are complicated poems. They seem to aim at reaching "an-other's language", or speaking "through the other", but they also preclude the possibility of easy/direct relations. In what ways does the use of language in these poems thwart identitary representation? What effort do they place on the reader? 2.   How can Steve Mentz's theoretical approach to the O...
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For the Class of October 4 - text analysis | close reading practice

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 Choose either, to analyse using all the literary, discourse analysis and intertextual skills that you can resort to: 1.   Thoreau, excerpt from Walden (again):  Write a short text analysis of the passage, on pp. 2127-28, that begins "The whole bank, which is from twenty to forty feet high" and ends with "we may turn over a new leaf at last" 2. Whtiman, preface from Leaves of Grass (1855):   pp. 2734-2735: From the paragraph that starts "The art of art" to the end of next paragraph "and makes one" Thoreau, illustration from The New Yorker Whitman, in the opening page of Leaves of Grass  (1855)
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Reading prompts for the class of December 13

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Please read at least the preface, and Eirin Moure's "transelations" of Fernando Pessoa's heteronym, Alberto Caeiro (a "heteronym" of the Portuguese modernist poet Fernando Pessoa), and especially poem I (although the others are fine too :)).  For the non-Portuguese speakers, perhaps you can have "more faithful" (?) glimpses of the "original (?) here:  https://books.google.pt/books?id=gzHZDwAAQBAJ&printsec=frontcover&hl=pt-PT&source=gbs_ge_summary_r&cad=0#v=onepage&q&f=false   Answer to one or more of these questions.  1. In what ways may we consider  Sheep's Vigil  as revising Alberto Caeiro's staging of "the pastoral"?  2. How can we view this process from the angle of an ecofeminist critique, and/or of "topopoetics" (see Tim Creswell's essay, on moodle) ? 3. Consider the following quotation and speculate how it might relate to Mouré's trans-e-lations of Alberto Caeiro / Fernando Pes...
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